Core points of Gamers


Core points of Gamers

Vic Carrabotta, 1950s-Era Marvel Comics Artist, Passes Away

Victor “Vic” Carrabotta, one of the last surviving comic book artists who worked for Marvel in the 1950s, including a story in the first issue of journey into mysteryHe has passed away at the age of 93.

Carrabotta was born in New York City and attended the Manhattan High School of Music and Art and then the School of Cartoonists and Illustrators (now called the School of Visual Arts). After a stint in the Marines, Carrabotta tried to break into comics in 1951. One of the first places he went to try to get a job was the studio of Joe Simon and Jack Kirby. Simon and Kirby produced comics for a few different companies at the time. Carrabotta would later recall how Kirby gave him his big break: “Jack was very nice. I was just a kid back then, only 21. When he walked me out, I said, ‘By the way, this is my wife, Connie. ‘ Connie stands up and Jack looks up and down because she’s pregnant… He said ‘Sit here a minute I need to get back to my office’ He writes a note and stamps it and tells me to go back to Stan with the note… [Upon doing so,] Stan said, ‘Jack says you’re a good artist.’ He said, ‘Oh, I don’t know. Would you like to see my samples? He says, ‘No, it’s okay. Jack says you’re a good artist. I’ll tell you something,’ and he throws this script on the desk. He says, ‘I want this back in a week.'”

Carrabotta’s first assignment for Marvel (until the 1960s, the company we now know as Marvel did not really have a fixed name, as its owner, Martin Goodman, liked to use various names for his companies. The name most commonly associated with However, the 1950s is Atlas. For simplicity, we’ll just say Marvel) was a short horror story, “The House on the Hill”, in Amazing #13 in early 1952.

The following month, a Carrabotta story, “Bewitched!”, appeared in the first issue of a new anthology called journey into mystery (82 issues later, the series would feature Thor)…


Carrabotta became a regular presence at Marvel, though he would also work for Fiction House and Lev Gleason, among other comic book companies. Like his contemporaries at Marvel at the time, such as Bill Everett and Joe Maneely, Carrabotta was adept at jumping from one genre to another depending on what was in vogue at the time. He did science fiction, horror, fantasy, westerns, and war comics.

However, in the late 1950s, the comic book industry suffered a major downturn, with Marvel virtually eliminating its freelancers entirely, and like many other comic book artists, Carrabotta had to move to another industry. And also, like many comic artists, he found work in advertising.

Carrabotta would go on to have a very successful advertising career for the next thirty to forty years, even serving as an art director for some major advertising companies. Carrabotta had moved to South Carolina in the 1950s, and although he had returned to the Northeast at some point in his advertising career, he returned to South Carolina in the early 2000s. comics in the South for the past two decades.

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