Core points of Gamers


Core points of Gamers

Palpatine Was Only a Minion in George Lucas’ Original Star Wars Vision

Emperor Palpatine, Darth Sidious, Dark Lord of the Sith and ruler of the Galactic Empire, is the Star Wars last incarnation of evil in the saga. Star Wars Creator George Lucas has likened the character to the Devil, the personification of evil that tempts heroes away from the light and into the clutches of the dark side. While his apprentice, Darth Vader, may be the franchise’s most iconic villain, there is perhaps no character in pop culture more downright evil than Palpatine. Given his ultimate villain status, it might come as a surprise to learn that he wasn’t always how Lucas envisioned the Emperor of him.

Luke’s vision for the Star Wars The saga changed drastically and repeatedly as its original script underwent multiple rewrites to become the epic space fantasy fans love today. One character that took many forms throughout this rewrite and adjustment process was Lucas’s faraway galaxy Emperor. The Emperor was always intended to reflect real life politicians and political machinations in one way or another, but originally, he was not the ultimate authoritarian that he would eventually become.

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Emperor Palpatine was very different in early drafts of A New Hope.

The Emperor does not appear in the original. Star Warsnow titled Episode IV – A new hope. In that first film, Palpatine exists only in the whispers of the Imperial Officers to him. As these bureaucrats gather aboard the Death Star, Grand Moff Tarkin informs them that the Emperor has dissolved the Imperial Senate, officially ridding the galaxy of the last remnants of the Republic. The emperor himself, however, is never seen. There’s not even any indication that the Emperor is Darth Vader’s Sith master. The original novelization of A new hope can you offer some explanation as to why Lucas only had Vader and Tarkin as main antagonists for that first film.

The original Star Wars The novelization was written by Alan Dean Foster, with official credit going to George Lucas. The book was based on the film’s script and featured some notable differences from the finished film. Chief among these was the inclusion of a foreword, which quoted from “The Journal of the Whills,” a framing device that Lucas had initially intended to use to introduce the story. Star Wars saga as a narrative that is retold after the events of the films. The passage taken from the Journal of the Whills revealed the origins and nature of Emperor Palpatine as Lucas envisioned him at the time.

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According to the novel’s foreword, Palpatine had been an ambitious senator in the waning days of the Republic, who used growing corruption in the Senate and the power of commerce to get himself elected President of the Republic and later declare himself Emperor. This is not too far from the Emperor’s origins, as revealed in the Star Wars prequel trilogy. However, the prologue goes on to reveal that once in office as Emperor, Palpatine became “controlled by the very assistants and bootlickers he had appointed to high office, and the people’s cries for justice did not reach his ears.” “. In this vision of the galaxy, the Emperor was nothing more than a pawn to the likes of Tarkin and the Imperial officers glimpsed in A new hope.

Palpatine’s original plan would have created a drastically different Star Wars

If George Lucas had stuck to this view of the Emperor, there is no doubt that the whole Star Wars The saga would have been radically altered. Plans even earlier in Star WarsThe development may offer some indication of the direction Lucas originally intended to take Palpatine by following. A new hope. In the first draft of the Star Wars script, the Emperor was named Cos Dashit and was not a Sith Lord. This Emperor would have seen his own superior officers, Darth Vader among them, turn against him in a plot to seize power. The decision to recast Palpatine as the absolute authority on the Empire and the Dark Lord of the Sith certainly created a much more compelling villain for the Star Wars saga and the perfect representation of evil and temptation in a series of films that Lucas always envisioned as a moral tale about space.

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